![]() (c) President and Fellows of Harvard College, 1980. In the enumeration of species, the system followed in the arrangement of the families conforms with that used in Iconographia Cormophytorurn Sinicorum (Anonymous, 1972-1976). Only information not available in these three readily available articles is included here. Fulling (1976), along with additions published in 1977, summarizes the history of the discovery of Metasequoia glyptostroboides and presents an annotated bibliography of published references to metasequoia. Cooper published the results of an ecological reconnaissance of the metasequoia community. Also included are brief summaries of the expeditions that obtained the five collections, as well as a short account of earlier botanical collections from Central China, a description of the salient features of the metasequoia flora, an analysis of the gymnosperms that occur with metasequoia, and my interpretation of the metasequoia flora. glyptostroboides was later discovered growing in a 'natural population (see below). While the type locality of Metasequoia glyptostroboides is in eastern Szechwan, the specimens on which this work is based are from the general area (here referred to as the "metasequoia area") in Hupeh Province where M. A systematic enumeration of all identifiable species represented in the five collections (an assemblage of species here termed the "metasequoia flora") is presented below. In 1973 this herbarium material was turned over to me for identification, and this article is concerned with the information resulting from that undertaking. In addition to the seed, five shipments of herbarium specimens collected in southwestern Hupeh Province between 19 were received at the Arnold Arboretum by the late Professor Elmer D. glyptostroboides that had been collected during the summer of 1948. Cheng concerning the shipment was later placed with the unmounted specimens of M. These seeds, mailed from Nanking, China, on November 29, 1948, and totaling 500 grams, were the second shipment received at the Arnold Arboretum. At that time help was needed to place fresh, recently imported metasequoia seed into small envelopes for distribution to botanical institutions, forest experiment stations, and interested individuals around the world. MY FIRST ASSOCIATION with Metasequoia glyptostroboides Hu & Cheng was at the Arnold Arboretum of Harvard University during the winter of 1948-1949. The Metasequoia Flora and Its Phytogeographic Significance Metasequoia Glyptostroboides is listed as endangered in the IUCN Red List of Wild Species.THE METASEQUOIA FLORA AND ITS PHYTOGEOGRAPHIC SIGNIFICANCE The genus Metasequoia was long thought to be extinct until a few living specimens were rediscovered in the depths of China in 1941. It can be pruned very well and can be trained into a hedge. The Metasequoia Glyptostroboides should be planted in acidic, cool, rich and slightly moist soil. This original foliage, tender green in spring and turning copper red in autumn, will bring colour and harmony to your garden, offering a real spectacle. Its fine, flattened pinnate leaves are soft to the touch. Its trunk is very straight (up to 2 m in diameter after a few decades) and twisted at the base, and its reddish bark makes it very ornamental. The Dawn redwood grows rapidly, up to 1 m per year in the juvenile stage and 40 to 50 cm thereafter. Growing up to 50 to 60 m high and spreading out to 8 m, this tree with its conical shape is ideally suited to large parks where it sits majestically. A large deciduous tree of Chinese origin, the Metasequoia Glyptostroboides or Dawn redwood is one of the rare conifers to lose its leaves in autumn.
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Or you can download the entire collection as a single You can download this sample as a standalone ZIP file Note: This sample is part of a large collection of UWP feature samples. Receiving events when the device has spent significant time in a location (a "visit").Receiving events when the device has entered or exited locations of interest.Receiving events when the location changes.Shows how to use the namespace to get the geographic location of the user's deviceĪnd track when the location changes in various ways.Īfter obtaining access to the user's location, an app can Cross-Border Employment Contracts: Choice of Law, Choice of Forum, and the Enforcement of Cross-Border Judgments in the European Union in PROCEEDINGS OF THE 61st ANNUAL NEW YORK UNIVERSITY CONFERENCE ON LABOR, Kluwer Academic Publishing (July 7, 2010).Avoiding the “Plague” of Class Action/Representative Action Wage and Hour Suits, 65 LABOR LAW JOURNAL 76 (Summer 2014).THE CONTINUING DUTY TO BARGAIN: TWO VIEWS, (University of Oregon Labor Education and Research Center, LERC Monograph Series, Issue No.750 AND THE 1995 AMENDMENTS TO THE OREGON PUBLIC EMPLOYEE COLLECTIVE BARGAINING ACT, 14 LERC Monograph Series 13 (1996). 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"So might have been a way to demonize some of these leaders as well.Philippine Mythology is derived from Philippine folk literature, which is the traditional oral literature of the Filipino people. "A lot of the rebellions and movements against the Spanish when they first came were led by women," said De Los Santos. She says it was common for pre-colonial Filipino women to take on leadership roles in society, particularly as shamans or priestesses. In her writing, De Los Santos wants to decolonize and reclaim Filipino stories. "Rather than writing about the myths of the Filipino rebels, I tried to write about the myths of the Christianized American military and to show how those myths really pushed them to do very violent things in the Philippines." In the book, he reframes American beliefs as superstitious. Patterson, writing under his pen name Kawika Guillermo, published a speculative fiction novel entitled All Flowers Bloom in 2020, in which part of the story takes place during the Philippine-American war. are recasting the ghastly nature of these monsters by contrasting how the Philippines' colonizers portrayed them. WATCH | How some authors are reclaiming creatures from Filipino folklore:ĭuration 2:26 The Filipino horror genre consists of gruesome mythical creatures known as Aswang. "These divisions are still with us in the way that we see Indigenous beliefs as mere myths, whereas Christianity is seen as much more respectable." "One of the main ways of vilifying was just to categorize it as something more barbaric," he added. "He 'bite marks' into their necks to make it look like Aswang killed them," Patterson said. Air Force officer Edward Lansdale staged the corpses of Filipino rebels in the streets as if they were killed by Aswang. professor and author Chris Patterson.įor example, Patterson says U.S. ![]() Later, when the Americans took over the Philippines from the Spanish in the late 1800s, they too used Filipino mythology for intimidation tactics to subdue uprisings against the government, according to University of B.C. (L to R) Tiyanak (1988), Taong Paniki (1952), and El Diablo (1949) (LVN Pictures, Premiere Productions) ![]() 'Aswang' feature commonly in Filipino horror cinema. "Whether they feel it's to our benefit or not," Ruiz said, " sowed doubt in our own deities and made Christian saints take on positive aspects that were attributed to our own native deities." He says deities, spirits and creatures from precolonial Philippine pantheons were almost wiped from cultural memory upon the arrival of the Spanish in 1521, who instead elevated evil portrayals of Aswang.Įventually the Pre-colonial mythologies and religions of Indigenous Filipinos were overtaken by Roman Catholicism during the centuries after Spanish colonization. IJP Ruiz is another Filipino-Canadian fantasy writer based in Vancouver. "The Catholic influence did give it a layer of sin and hell," she said. (Ali Pitargue)ĭe Los Santos says she found out that popular portrayals of Aswang bear demonic elements concocted by Spanish colonists to assist in evangelizing Indigenous Filipinos into Catholicism. She grew up listening to her dad’s nighttime stories of the 'Aswang' from his time growing up in Manila. Nathalie De Los Santos uses a picture of a 'Manananggal' as reference for her sketch. She's part of a growing movement of authors hoping not only to enlighten both Filipinos and non-Filipinos about the colonial atrocities committed in the country, but also to reclaim these folkloric narratives. That's when she discovered that Filipino folktales and monsters carry more profound meaning beyond being used to scare children. When De Los Santos' aunt died of cancer, she felt the urge to explore more of her heritage. Tiktiks or Manananggals are part of a sub-genre of evil spirits called Aswang - shapeshifters that morph into vampires, ghouls, viscera suckers or werebeasts.ĭe Los Santos explained that in colonial retellings, the Manananggal takes the form of an attractive woman by day, but as the night falls, she detaches her lower body and grows wings, fangs and a stretchy, tubular tongue that sucks embryos out of pregnant women. "But when I started to research Filipino mythology, I found out TikTik is another word for a Manananggal, which is a viscera or intestine-eating monster that eats it out of your butt!" the Vancouver author said. Growing up, Nathalie Los Santos' parents would call her a TikTik. At first, she assumed it was a cute form of endearment. |
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